Regardless if you’re giving a motivational speech or a sales presentation, stories are paramount. Composing a decent story is not the same as telling a decent story.
Make Certain It Pertains To YOUR Attendees
A story about the adventures of having a young child isn’t the right story for a bunch of university students. Create a story with an experience that your audience shares.
Recognize That Attention Spans Are Brief
And decreasing. Keep your story from dragging out at the same rate and pitch. Alternate heavy with amusing, dialogue with contemplation, vitality with no movement, and so on.
Have Confidence In the Tale You’re Telling
If the story doesn’t mean anything to you personally, leave it alone. It won’t be honest and your audience will recognize it.
Don’t Just Tell It, SELL IT
Comics are coached to work their material – to assume that the material is funny and the audience will like it. Bring passion into it. Induce them to take note.
Live In the Moment
You can’t be thinking of lunch or how closely that woman in the fourth row looks like your Great Aunt Sylvia with the wandering eye. Pay attention. When you lose focus, so does your audience.
Be Sure You’ve Perfected It
It’s unforgivable to fail to remember how the story goes. Don’t settle on adequate – learn that story inside out. It is simpler to memorize the story if you break it into chunks.
Speak the Way You Would to a Close Friend
Communicate comfortably, leisurely, and plainly. If you’re awkward, so is the audience.
It’s Okay To Deviate From Your Prepared Speech If You’re Secure With Your Script
Rehearse your story in segments – occasionally out of order – so that you are acquainted with breaking in varied spots and making your way back.
Your Audience May Hear Something Other Than What You Intended
Your phrases are fewer than fifteen percent of what they “hear” – the remainder they are getting from your mannerisms. Whether you like it or not, your body is speaking for you. Pay attention to what your body is saying.
Comparable to nearly everything in daily life, timing is everything. In using story, it applies to the manner in which you deal with the pauses and breaks in your plot – those instances that allow for the audience to breathe, to bear in mind what you just said, to chuckle, etc. Settle back and experience the mystical power revealed in the hushed moments of your tale where things happen that you never planned. An aspect of good timing is understanding when to quit. Don’t remain in that story one minute too long or you lose all the power.